alphabet of gestures-1:

9.92-1, 13.5x16.5, 1992, edition 30
4.92-1, 13.5x15, 1992, 1 edition 15, 2 edition 8
11.93-6, 14x17, 1993, edition 30
10.94-1, 14x18.5, 1994, edition 38
10.94-4, 14.5x18.5, 1994, edition 32
6.93-5, 14x16, 1993, edition 28
11.89-9, 14.5x17, 1989, 4 edition 1993: 20, 1 edition 1989: 6, 2 edition 1989: 5, 3 edition 1992: 6
11.92-12, 13x16.5, 1992, edition 30
11.93-9, 18x13.5, 1993, edition 36
2.92-1, 14x16, 1992, 1 edition: 9, 2 edition: 6
7.90-3.1, 13x19.5, 1990, 2 edition 1993: 26, 1 edition: 11
9.89-15.1, 13x25, 1989, 3 edition 1993: 26, 1 edition 1989: 6, 2 edition 1992: 24
9.89-15.2, 14.5x25, 1989, 2 edition 1993: 25, 1 edition 1989: 6
2.93-8, 16.5x13, 1993, edition 26
6.91-12, 10x19.5, 1991, 1 edition 1991: 8, 2 edition 1992: 10, 3 edition 1993: 20
10.92-2, 13x18, 1992, edition 25
7.90-4, 13.5x16, 1990, 1 edition 7, 2 edition 1992: 3, 3 edition 1992: 10
7.90-5, 14x20, 1990, 1 edition 13, 2 edition 1992: 3, 3 edition 1992: 10
11.89-6, 13.5x19.5, 1989, 5 edition 1993: 15, 1 edition 6, 2 edition 1989: 8, 3 edition 1992: 4, 4 edition 1992: 10
11.93-4, 14.5x16.5, 1993, edition 25

alphabet of gestures-2:

7.90-6, 14x14.5, 1990, 1 edition 22, 2 edition 1992: 10
11.90-8.1, 13x18.5, 1990, 1 edition 10, 2 edition 1993: 20
10.92-1, 12x18.5, 1992, edition 25
7.91-7, 14.5x16.5, 1991, 1 edition 8, 2 edition 6
12.91-11, 14x17, 1991, 2 edition 1993: 15, 1 edition 10
3.91-2, 14.5x16.5, 1991, 2 edition 1992: 10, 1 edition 4, 3 edition 1993: 20
1.92-11, 13.5x13.5, 1992, edition 21
10.94-5, The Sprig, Casting a Shadow on the Breeches
11.92-13, 17x13, 1992, edition 25
5.92-8, 15x14, 1992, edition 21

 

shadows:

9.89-10, 12x13.5, 1989, 3 edition 1992: 16, 1 edition 8, 2 edition 1990: 7
4.92-10, 13.5x15, 1992, edition 21
4.90-31, 12.5x14, 1990, 1 edition 12, 2 edition 1992: 10
3.90-4, 11.5x16.5, 1990, 1 edition 12, 2 edition 1990: 8, 3 edition 1992: 10
2.93-5, 13x15.5, 1993, edition 22
4.90-28, 9.5x20, 1990, 3 edition 1994: 31, 1 edition 4, 2 edition 1992: 10
5.90-8/94, 13.5x19, 1994, edition 46
8.92-3, 13x19, 1992, 3 edition 1993: 17, 1 edition 15, 2 edition 1992: 12
8.92-4, 13x19, 1992, 2 edition 1993: 14, 1 edition 18
8.92-1, 12.5x17.5, 1992, 1 edition 15, 2 edition 1993: 16
8.91-8, 13x16, 1991, 1 edition 14, 2 edition 1993: 28
8.91-7, 13x16, 1991, 1 edition 12, 2 edition 1993: 28
3.91-6(3), Making the Final Under-Line
2.93-17, 11.5x17, 1993, edition 22
2.93-12, 16.5x23, 1993, edition 21

 

mysteria-1:

8.90-7, 12.5x19, 1990, 2 edition 1993: 16, 1 edition 7
8.90-2, To the Other Bank, 12x19, 1990, 2 edition 1993: 17, 1 edition 6
11.90-3, 19x13.5, 1990, colour pencil, 3 edition 1994: 26, 1 edition 7, 2 edition 1992: 7
10.90-4, 17x13.5, 1990, colour pencil, 2 edition 1993: 16, 1 edition 6
10.90-5, 14.5x15, 1990, colour pencil, 2 edition 1992: 7, 1 edition 7, 3 edition 1994: 25
10.90-5/93, 14x16, 1990, colour pencil, 1 edition 20, 2 edition 1993: 25
7.90-8, 14x14.5, 1990, colour pencil, 4 edition 1994: 26, 1 edition 10, 2 edition 1992: 10, 3 edition 1992: 3
9.90-3, 11.5x18, 1990, colour pencil, 1 edition 7, 2 edition 1990: 7, 3 edition 1992: 8, 4 edition 1992: 16
12.90-1.1, 14.5x16.5, 1990, colour pencil, 1 edition 7, 2 edition 1993: 20
5.90-9, He and His Shadow, 14x15, 1990, water colour, 2 edition 1994: 30, 1 edition 6
5.90-8, 11x17, 1990, water colour, 1 edition 8, 2 edition 1993: 20
3.91-7, The Red Wire, 12x18, 1990, colour pencil, 2 edition 1993: 20, 1 edition 8
3.90-9, 15x9.5, 1990, water colour, 1 edition 10, 2 edition 1994: 18
10.90-1, ...yes, of course; but it doesn't mean that the Last Judgement doesn't exist, 14.5x14.5, 1990, colour pencil, 3 edition 1993: 25, 1 edition 8, 2 edition 1992: 18
1.92-9, The Struggle Against the Red Line, 14x17.5, 1992, colour pencil, 2 edition 1993: 20, 1 edition 16
3.90-1, 9x15.5, 1990, water colour, 1 edition 10, 2 edition 1990: 6
3.90-2, 10x16.5, 1990, water colour, 1 edition 8, 2 edition 1990: 6
6.91-20, The Line, 14x15.5, 1991, colour pencil, 3 edition 1994: 35, 1 edition 6, 2 edition 1992: 9
7.90-7, 14x15.5, 1990, water colour, edition 6
5.92-9, The Ones Sitting around the Red Dot, 13.5x17, 1992, colour pencil, 1 edition 8, 2 edition 1992: 4, 3 edition 1993: 16
11.92-1, The One Waited until His Main Crack Appeared, 13x18, 1992, colour pencil, edition 22
10.94-8, The One Remained Uncrossed, 14x19, 1994, colour pencil, edition 33
9.91-9, The Portrait with Santa Claus, 13x18.5, 1990, colour pencil, 1 edition 7, 2 edition 1992: 6
4.89-6, 18.5x12.5, 1992, colour pencil, 2 version: edition 13
4.90-14, 11x19, 1990, colour pencil, 2 edition 1994: 34, 1 edition 8
10.89-8, 16.5x13.5, 1989, 2 edition 1990: 5, 1 edition 6
10.89-7, 14x19, 1989, 2 edition 1990: 5, 1 edition 5
10.89-6, 14x20.5, 1989, 2 edition 1990: 5, 1 edition 5

 

faceless:

9.91-6, 18x12.5, 1991, 4 edition 1993: 31, 1 edition 14, 2 edition 1991: 10, 3 edition 1991: 12
9.91-14, 17x11, 1991, 3 edition 1992: 15, 1 edition 10, 2 edition 1992: 10
9.91-15, 17x10.5, 1991, edition 20
12.90-4.1, 17x19.5, 1990, 3 edition 1994: 21, 1 edition 8, 2 edition 1992: 12
12.90-4.2, 17x19, 1990, 3 edition 1993: 21, 1 edition 8, 2 edition 1992: 12
10.90-2, 18.5x13, 1990, 2 edition 1994: 26, 1 edition 7
7.90-2, 19x13, 1990, 2 edition 1993: 27, 1 edition 13
10.90-3, 19x11.5, 1990, 2 edition 1993: 20, 1 edition 4
4.90-22, 11x19.5, 1990, 3 edition 1993: 18, 1 edition 8, 2 edition 1993: 20
4.90-24, 11.5x17.5, 1990, edition 7
11.90-6, The Day After, 11x17, 1990, edition 7
4.89-6, 19x13, 1989, 1 version: edition 6
11.89-14, 8.5x13.5, 1989, edition 7
8.90-8, 16x10.5, 1990, edition 9
8.90-6, 16.5x11, 1990, edition 9
9.89-16.2, 11.5x21.5, 1989, 1 edition 5
9.89-16.3, 11x21, 1989, 1 edition 5
9.89-16.1, 11.5x21.5, 1989, 1 edition 4
9.89-16.4, 9x18.5, 1989, 1 edition 6
9.89-16.2, 11.5x21, 1989, 2 edition 7
9.89-16.3, 11x19.5, 1989, 2 edition 7
9.89-16.1, 10.5x20.5, 1989, 2 edition 7
9.89-16.4, 8.5x17.5, 1989, 2 edition 7
7.90-12(3), group of 3 photos, 1990, each 12x18, edition 8

 

Wir sprechen Deutsch:

2.91-5.1, Wir sprechen Deutsch, 12x12, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.2, Der Mann ist Militaer, 10.5x14, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.3, Sie fuehlen sich gluecklich, 11.5x15, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.4, Er ist mein Freund. Er war mein Freund, 10.5x14, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.5, Wir nehmen an der Diskussionteil, 10.5x11.5, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.6, Ihr Freund ist Offizier. Was ist ihr Freund?, 12x11, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.7, Ihr Freund ist Major K. Wer ist ihr Freund?, 12x10.5, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.8, Hier ist ein Fluss. Er ist tief, 11.5x12, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.9, Dort ist ein See. Er ist schoen, 11.5x12, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.10, Hier gibt es Waelder. Wir kauften uns ein Buch, 11.5x12, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.11, Dort steht ein Mann, 11.5x11, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.12, Er begruesste mich wobei er aufstand, 11.5x11, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.13, Irgendetwas stimmt hier nicht, 11x11.5, 1991, 2 edition 1993: 7, 1 edition 4
2.91-5.0, Ich kenne sie, 12.5x16.5, 1991, 2 edition 1993: 20, 1 edition 4
2.91-6, Dieser Junge isst gern Schokolade, 12x18, 1991, edition 5
2.91-4, Wieviel Hauser gibt es in diesem Dorf?, 12.5x15, 1991, 2 edition 1993: 9, 1 edition 5
1.91-19, Ich kenne ihn. Ich hoere auf das Signal, 20.5x17.5, 1991, 2 edition 1993: 8, 1 edition 7
1.91-16, Wieviel Offiziere fahren ins Lager?, 23.5x18, 1991, 2 edition 1993: 8, 1 edition 6
1.91-17, Er ist Major K. Er spricht gut deutsch, 25x17, 1991, 2 edition 1993: 8, 1 edition 6
1.91-21, Wieviel Bruecken fuehren ueber den Fluss?, 17x24.5, 1991, 2 edition 1993: 20, 1 edition 7
5.91-7(7), Der Weg nach Osten, group of 7 photos, 1991, each 10.5x18.5, 2 edition 1994: 12, 1 edition (of 4 photos in the group) 5
5.91-6.1, The First of Three Illustrations for German-Russian Dictionary, 10x14, 1991, 1 edition 7, 2 edition 1991: 5
5.91-6.2, The Second of Three Illustrations for German-Russian Dictionary, 10x14, 1991, 1 edition 7, 2 edition 1991: 5
5.91-6.3, The Last of Three Illustrations for German-Russian Dictionary, 10x14, 1991, 1 edition 7, 2 edition 1991: 5

 

mysteria-2:

6.89-5, 14.5x15.5, 1989, 3 edition 1993: 23, 1 edition 9, 2 edition 1992: 5
12.92-2, Is There Too Much Light?, 14x15, 1992, edition 22
6.91-5, The Dominating Figure, 13.5x18.5, 1991, 3 edition 1993: 15, 1 edition 8, 2 edition 1992: 6
6.91-26, Being in Doubts, 13x18.5, 1991, 3 edition 1993: 21, 1 edition 6, 2 edition 1992: 8
8.91-4, The One Climbed Higher Than All the Others, 13x18.5, 1991, 3 edition 1993: 21, 1 edition 6, 2 edition 1992: 8
12.91-16.2, 14x14, 1991, 2 edition 1992: 8, 1 edition 7
9.92-3, The One Waiting for His Main Scratch, 13.5x16.5, 1992, 2 edition 1993: 19, 1 edition 15
11.93-7, 14x18.5, 1993, edition 25

 

mysteria-3:

6.93-1, 14x16.5, 1993, edition 22
5.92-21, She and the Light Beam, 14x14, 1992, edition 12
11.93-10, She and Her Shadow, 14x18.5, 1993, edition 25
5.92-11, The Picture Behind Him, 14.5x15.5, 1992, 2 edition 1992: 8, 1 edition 12
6.92-7.2, The Picture Behind Him, 14x15, 1992, edition 20
5.92-7, The Forest Behind Him, 14x18, 1992, edition 10
8.92-13, A Scarcely Visible Fragment of the Horizon behind Them, 10.5x19, 1992, edition 10
6.92-10, The Road Winding Among the Hills, 13.5x17, 1992, edition 12
2.93-7, She and Her White Book, 16.5x14, 1993, edition 13
11.92-4, His Main Flower, 16.5x12.5, 1992, edition 22
5.92-2.2, 14.5x14.5, 1992, 2 edition 1993: 20, 1 edition 10
5.92-2.1, 14.5x16.5, 1992, 2 edition 1993: 20, 1 edition 10
2.93-6, Their Main Flower, 13.5x18, 1993, 2 edition 1994: 25, 1 edition 15

 

mysteria-4:

9.89-12/93, 14x17, 1993, edition 27
2.92-9, 13x19, 1992, edition 20
8.95-1, The Aircraft Entering the Light, 10.5x14, 1995, edition 25
8.95-2, The Aircraft Entering the Light Stripe, 13x16.5, 1995, edition 25
8.95-3, The Light Stripe Attempting to Snatch the Picture Out of the Darkness, 13x17.5, 1995, edition 25
11.91-9(4), The Aircraft, group of 4 photos, 1991, each 14x21.5, 1 edition 6, 2 edition 1993: 16
2.92-7, The Sky Is Clear over All Spain, 5.5x19.5, 1992, edition 12
2.92-6, The Forest on the Other Side, 9.5x20, 1992, 1 edition 10, 2 edition 1992: 11
10.93-5(2), The Guns, Cannonading in a Warm May Evening, group of 2 photos, 1993, each 10x19, edition 18
9.95-1, 1954, July, 12.5x17.5, 1995, edition 25
10.94-13, The Snow-Flakes Which at the Moment Will Become Visible Against the Train Passing By in the Background, 13x19, 1994, edition 25

 

mysteria-5:

4.89-14(8), group of 8 photos, 1989, each 13x20, edition 6

 

mysteria-6:

9.90-6, 18x20.5, 1990, 3 edition 1993: 20, 1 edition 6, 2 edition 1992: 11
9.90-7, The Unidentified #58, 18x20.5, 1990, 2 edition 1993: 21, 1 edition 6
9.90-5(2), diptych, 1990, each 16x23, edition 5
3.91-4, 16x24, 1991, 2 edition 1994: 31, 1 edition 10
6.93-15, The Three Red Dots, 24.5x17, 1993, edition 20
9.89-2, 22x17.5, 1989, 2 edition 1993: 26, 1 edition 5
9.89-4, 23x15, 1989, 3 edition 1993: 25, 1 edition 8, 2 edition 1991: 7
9.89-3, 25.5x16.5, 1989, 3 edition 1993: 20, 1 edition 5, 2 edition 1991: 5
9.92-2, These Sharp Sounds of the Accordeon, 21.5x14, 1992, 2 edition 1992: 15, 1 edition 15
10.90-6, 23.5x15.5, 1990, 3 edition 1993: 20, 1 edition 6, 2 edition 1992: 6
9.92-7.1, The Ones Continuing to Squat in Spite of the Cracks Already Appeared Around, 16x24.5, 1992, 1 edition 25, 2 edition 1992: 21
5.92-15(4), The Portrait with the Accordeon in Four Parts, group of 4 photos, 1992, each ca 16x22, edition 8
12.90-3(2), diptych, 1990, each ca 17x19, 3 edition 1994: 21, 1 edition 8, 2 edition 1992: 12
9.92-8, The Ones Standing before the Light Stripe, 16.5x23, 1992, edition 19
9.92-5, He, 16.5x24, 1992, edition 12
1.92-4, The Commander, 17x25.5, 1992, 2 edition 1992: 10, 1 edition 7
4.92-9, 17x26, 1992, edition 10
4.92-8, 17.5x24.5, 1992, edition 10
9.92-9, They and the Geographic Map, 15x24.5, 1992, edition 18
12.92-1, The One Who Was Standing Between, 16.5x20, 1992, edition 15
9.92-10, 15.5x24.5, 1992, 1 edition 15, 2 edition 1992: 15
10.92-4, The Two Marked with the Cross, 18.5x16.5, 1992, edition 25
6.93-11, The Cone, 20x17.5, 1993, edition 24
2.93-13, The Sea, 24x16, 1993, edition 18
2.93-16, Until the Train Is Running, 18.5x22.5, 1993, edition 22

 

hand on shoulder:

12.91-4, The Friends Hand, 12x18.5, 1991, 2 edition 1992: 9, 1 edition 9
4.92-12, The Hand on Her Shoulder, 13x16.5, 1992, 2 edition 1994: 26, 1 edition 11
5.92-3, The Hand on Her Shoulder, 14.5x16.5, 1992, 2 edition 1994: 30, 1 edition 10
8.92-11, The Hand on His Shoulder, 14x15.5, 1992, 1 edition 17, 2 edition 1992: 11, 3 edition 1994: 30
11.93-14, 14x17.5, 1993, edition 30
11.93-15, 17.5x14, 1993, edition 32
12.91-20, He Keeping His Hand on One's Shoulder, 10x13, 1991, 2 edition 1994: 30, 1 edition 7
12.91-15, The One Keeping His Hand in Bosom, 13.5x19, 1991, 3 edition 1993: 20, 1 edition 8, 2 edition 1992: 10
8.92-8, But He Is Keeping His Other Hand in Bosom..., 13.5x15.5, 1992, 1 edition 15, 2 edition 1994: 25

 

about it:

4.92-5, The One Who Knows It, 13.5x14.5, 1992, edition 10
10.92-5, The One Who Knows It, 13x17, 1992, edition 10
5.92-6, The One Who Knows It, 14.5x14, 1992, edition 10
5.92-10, The Ones Who Know It, 13.5x18.5, 1992, edition 10
9.92-11, The One Who Had Time to Know It, 13x16, 1992, edition 15
5.92-14, The One Who Has Lost It, 13.5x15, 1992, 1 edition 10, 2 edition 1992: 8
5.92-13, The Ones Who Have Lost It, 11.5x18.5, 1992, edition 10
5.92-12, The Ones Who Have Lost It, 13.5x18.5, 1992, edition 10

 

about love:

3.91-5, I Don't Remember Exactly What Time It Was Then, 13.5x18, 1991, 2 edition 1992: 7, 1 edition 6
6.91-13, 14.5x17, 1991, 3 edition 1994: 25, 1 edition 6, 2 edition 1992: 6
11.93-13, 17.5x13.5, 1993, edition 31
4.92-14, 13.5x13.5, 1992, edition 20
4.92-13, 17x25.5, 1992, 1 edition 12, 2 edition 1993: 20
8.90-3, 14.5x16.5, 1990, 2 edition 1993: 14, 1 edition 5
4.92-7, And They Are Sitting Beneath This Tree Too, 14.5x15.5, 1992, edition 10
6.92-11, And They Are Standing in This Boat Too, 13.5x17.5, 1992, edition 10
6.92-9, The Family Portrait Against the Empty Background, 14x16.5, 1992, edition 10
6.92-8, The Family Portrait Against the Vague Background, 14x15.5, 1992, edition 10
9.92-6, The Ones Standing Three Together, 18x12, 1992, edition 20
12.91-9(2), She and He Who Have Never Met Each Other, diptych, 1991, each 15.5x11.5, 1 edition 6, 2 edition 1992: 9, 3 edition 1993: 15

 

about happiness:

5.92-5, 13x19.5, 1992, edition 10
6.93-8, 13x19, 1993, edition 15
6.93-10, 14x16, 1993, edition 21
1.91-9, They, 13.5x18.5, 1991, 2 edition 1993: 20, 1 edition 6
2.91-3, They, 12x18, 1991, edition 5
10.94-10, 14x16.5, 1994, edition 18
8.92-12, 12x18, 1992, 2 edition 1992: 10, 1 edition 15
4.92-6, 16.5x14.5, 1992, edition 8
8.92-7, The One Who Is Not Looking Up, 12.5x18, 1992, edition 10
11.93-3, She Who Is Not Looking into the Distance, 11.5x19, 1993, edition 15
11.93-2, She Who Is Looking into the Distance, 19x12.5, 1993, edition 23
11.89-7, 14.5x18.5, 1989, 3 edition 1993: 12, 1 edition 4, 2 edition 1989: 5
6.91-25, 19x12.5, 1991, 1 edition 6, 2 edition 1992: 6
10.90-3/93, 19x11.5, 1993, edition 20
11.92-5, 18x12, 1992, edition 20
8.92-10, 16x13, 1992, edition 10
8.92-9, 17x13.5, 1992, edition 10
11.93-12, 14x18.5, 1993, edition 25
9.90-4(3), group of 3 photos, 1990, each 14.5x16.5, 1990, 2 edition 1993: 20, 1 edition 4
5.90-4, 13x18, 1990, edition 25

 

war:

6.93-16, The Bilberries Picked Up Still Before the War, 14.5x18, 1993, edition 20
11.92-15, The Two Small Cubes on His Tabs, 17.5x12.5, 1992, edition 14

 

sky:

2.92-10.1, The Sky Is Clear over All Germany, 17x24, 1992, 3 edition 1993: 29, 1 edition 5, 2 edition 1992: 5
2.92-10.2, The Sky Is Clear over All Germany, 18x24, 1992, 2 edition 1992: 9, 1 edition 7

 

Sacred Landscapes:

8.86-3, 13.5x20.5, 1 edition 4, 2 edition 4, 3 edition 4
3.90-5, Homage to Pieter Breugel, 16x21.5, edition 9
2.93-14, A Lonely Bird, Quickly Flying over the Field, 14x24, 1993, edition 14
8.91-5(3), Sunday's Walking on the Ice, group of 3 photos, 1991, each 16x27, 2 edition 1993: 20, 1 edition 5
12.92-4(3), Sacred Landscapes, group of 3 photos, 1992, each 16x27.5, 2 edition 1993: 10, 1 edition 10
3.93-4, Sacred Landscapes, 16x27.5, 1993, edition 23
12.92-5, Sacred Landscapes, 12x27, 1992, 3 edition 1993: 20, 2 edition 1992: 10, 1 edition 13
3.93-3, 15.5x17, 1993, edition 24
7.90-16(5), Sacred Landscapes, group of 5 photos, 1990, each 16x23.5, 2 edition 1993: 13, 1 edition 5
1.91-3(7), The Nothing Meaning Walk, group of 7 photos, 1991, each 18x27, 2 edition 1993: 5, 1 edition 4
8.95-4(8), group of 8 photos, 1995, each 16.5x25.5, edition 11
5.95-5(4), The Nothing Influencing Graduality of the Sunlights Dying out, group of 4 photos, 1995, each 16x24.5, edition 17
12.92-6.1, from a group of 3 photos, 1992, each16x23.5, edition 17

 

invisible:

10.92-10, Her Portrait Photographed by Him Only One Time on Their Last Meeting; the Lens Cap, Forgotten by Him, Was Not Taken off, 11.5x16.5, 1992, 1 edition 23, 2 edition 1993: 24
6.93-2, The Photo Taken with Too Large Exposure, 13x18.5, 1993, edition 25
6.93-3, The Photo Taken with Too Small Exposure, 12.5x17.5, 1993, edition 25
10.93-2, Being Strongly Nervous, He Has Mistaken and the 3-second Exposure Was Found to Be Too Large, 12.5x19.5, 1993, edition 36
4.94-13, The Shot #19 Remained by Some Reasons Unexposed, 12.5x17, 1994, edition 36
10.93-6, The Unevenly Cut Edge of Just That Film's Begining, Exposed by Him on That Day (printed on his old paper), 13x17.5, 1993, edition 30
10.93-3, The Light Beam, Penetrated into the Camera and Slightly Slipped along the Film, Having Fallen on the Empty Shot Which He Had Made, Having Unintentionally Pushed the Shutter Button, When Screening Himself with His Arm from the Too Bright, Low Standing Sun, Shining Right to His Eyes and Preventing Photographing, 11.5x18.5, 1993, edition 36
5.94-10, The photo of a big white cloud, which has just melted away in the dusky skies over the forest's dark ridge almost at that very moment when he at last managed to get out from that dark forest, not knowing why he cocked the shutter still back in the forest, when he saw this cloud between the trees, without regard to any opportunity to photograph it. He then closed the lens, put his camera in the bag and released the shutter..., 11x15, 1994, edition 36
5.94-13, The Shot Which He Was Already on the Point of Making, but Something had Changed in the Frame So at Once and So Indefinably but So Essentially and So Hopelessly Irreversibly, That He Has Closed the Lens, Triggered the Shutter and Put the Camera into the Bag..., 11x15, 1994, edition 36

 

Commented Landscapes:


ca 10.5x16, 1994-95, edition 25

-1-
4.94-33, She who is already walking to meet him and at the moment will be appearing from behind this turn
4.94-35, The tree on the turn where this rain will at the moment find them
4.94-23, She who is already waiting for him on their glade round this
4.94-34, She who at the moment will open her window to meet
4.94-27, The photo, made him while waiting until she will appear from behind those distant trees
4.94-20, The photo, made him when her light-colored dress was being already invisible from behind those distant poplars
4.94-1, The photo, made him while her song was being still heard from the other bank
4.95-15, Her window light, mixing with the rest of the day light, helping to get this image carried to his camera lens
4.95-16, The attempt to intercept the weakened sunlight, rushed to her window hoping to get a haven there until tomorrow's morning

-2-

4.94-65, That cherished place which this road is leading to
4.94-22, The road to the distant forest, where a small light was twinkling from time to time last night
4.94-39, The rain which greeted him twice in that day on this place
4.94-43, The wind, had not desire to be photographed and calmed down at the moment when he was making this shot
4.94-2, The wind, calmed down after the sunset, having prepared this lake to the best perception of the moon light
4.94-36, The one fearing to get into this rut on his way to the light distance
5.95-2, The attempt to make out which of these clouds is in fact the fair one
5.95-3, The cloud, admitted as fair / ,
4.95-24, About a coordination of the wind's, the river's and the sunlight's directions

-3-

4.94-38, The moon that likes to pass over this place, being hidden beyond clouds
4.94-29, The moon that will be staying right over this road tonight
4.94-26, The moon that tonight will be passing by this field aside of
4.94-37, The moon, to the appearing of that this snow wanted to be in time
4.94-40, The moon that this snow still wanted to catch
4.94-41, The forest that has almost not changed, having been shined point-blank by the low moon last night

-4-

4.94-53, The light that doesn't know yet he has mistaken, having chosen this road
4.94-60, The fall day light, quietly roaming yesterday along this
11.94-6, The light, avoiding a direct way to the lens and coming there only reflecting from surrounding objects
11.94-7, The same light, as always avoiding a direct way to the lens and coming there only reflecting from surrounding objects
4.95-2, The attempt to conceive the sunlight's intention
4.95-17, All that what having mixed with the sunlight, has helped to get this image carried to the camera lens
4.95-18, All that what has determined the sunlight's way to the camera lens at the moment of releasing of the shutter
4.95-26, The attempt to conceive the sunlight's intention

-5-

4.94-12, The slight frost of that March evening, made the old grease of his camera shutter thicken
4.94-11, The sharp burning wind of that cloudy frosty day, compelled him to take his glasses off and to make the rest of the shots almost not distinguishing small details
4.94-4, The weak light of a still not quite gathered dusk, nevertheless had time to slightly spoil this film during that short moment when he, having forgotten about it, opened and, having come to his sense, quickly slamed the camera
4.94-16, A neighbouring village dogs' barking barely audible in the gathering dusk
4.94-17(2), The first/(second) of two photos, made with a "manual" exposure, counted by two rain drops, fallen one after another to the dry fir-needles
5.94-8, A strange feeling from something, just flashed on the right over the grass
4.94-3, Something, just flashed in the sky over those trees
4.94-7, Something, come in his eye and compelled him to make this shot almost one minute later than he wanted

-6-

4.94-62(2), The landscape that in six minutes will get photographed from this point

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-7-

4.94-55, The long chain of events which beginning is the spring light yesterday's choice of this road
4.94-56, The long chain of events, where the first link is the shadow that tomorrow will slip along this road from a big black bird, flying over the forest
4.94-58, The long chain of events which beginning is the wind from under this bird's wings when she was getting on the tree
4.94-57, The long chain of events where the first link is the noise of the wings of one of the birds which at the moment will fly from this tree
4.94-44, That "decisive moment" in the past, predetermined that now he would not already meet with the big white cloud, just being reflected in this lake
4.94-54, That "decisive moment" in the past, predetermined that now he still would have the time to see this already almost completely melted away cloud

-8-

4.94-45, The long chain of all events, led to the appearing of this photo
4.94-47, The long chain of events which beginning is the appearing of this photo
4.94-63, The long chain of events one of which is the appearing of this photo
5.94-5, All that, what had led to the appearing of this photo
5.94-6, All that, what had made impossible to avoid the appearing of this photo
5.94-12, All that, what tried but has never enabled to avert the appearing of this photo
4.94-64, That "decisive moment" in the past, predetermined the appearing of this photo
4.94-46, That "decisive moment" in the past, after which the appearing of this photo had become already unavoidable
5.94-11, That still distant and unknown, but already unavoidable event, which the appearing of this photo will inevitably have led to
5.95-4, That still distant and unknown, but already unavoidable event, which the appearing of this photo will inevitably have led to
4.95-14, Whether will the bleaching help to avoid that distant and unknown event, which the appearing of this photo was inevitably to have led to?

-9-

5.94-9, One more unsuccessful attempt to stop a permanently escaping moment

-10-

4.95-25, The photo undoubtedly meaning something
4.95-27, About this photo
 
 

On the Altered Behaviour of the Sunlight:

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1.96-9, Transition from Light to Dark; Transition from Dark to Light; Structure of the Moment, 12x15, 1996, edition 20
1.96-10, The Interpenetration of Dark and Light; Structure of the Process, 12x15.5, 1996, edition 20
1.96-11, Penetration into Darkness, 13x18, 1996, edition 20
1.96-12, The Streaming of the Light Through Darkness, 13x18, 1996, edition 20
1.96-18, The Indistinct Light in the Midst of Darkness , 12.5x17.5, 1996, edition 20
1.96-19, Indistinct Reflections of Sunlight Storms Now And Then Blowing in the Distance, Which Prevent Seeing the Exposed Pictures, 12.5x17.5, 1996, edition 20
1.96-4, The Premonition of Sunlight Already on Its Way Here to Reveal in a Moment the Landscape Which Is Still Hiding in the Dark, 13x17.5, 1996, edition 20
1.96-5, Vanguard Flashes of Sunlight Which Will Blow Over Here, Revealing for a Moment the Landscape, Which Is Still Hidden in the Dark, 12.5x17.5, 1996, edition 20
1.96-22, The Trees Holding Back the First Onset of Sunlight, 12.5x18, 1996, edition 20
1.96-23, The Cloud Already Nearly Dissolved in the Structure of Sunlight, 13.5x19, 1996
1.96-24, The Sudden Invasion of Sunlight Into This Landscape, 11.5x18.5, 1996, edition 20
1.96-25, The Landscape That Could Not Resist the Sudden Invasion of Sunlight, 11.5x18.5, 1996, edition 20
1.96-6, The Sunlight Streaming Past, 12x19.5, 1996
1.96-17, Passive Inevitability of Sunlight, 12x18.5, 1996, edition 20
1.96-15, The Landscape Revealed for a Moment by the Sunlight Speeding Over It, 12x18.5, 1996
1.96-27, An Almost Successful Attempt to Photograph This Landscape at the Moment of the Appearance of a Subsequent Sunlight Storm, 11.5x18.5, 1996, edition 20
1.96-14, The Swiftly Fleeing Sunlight Revealing for a Moment This Landscape, 12x18.5, 1996, edition 20
1.96-16, The Last Thing Caught by the Sunlight Rushing Over This Field, 11.5x18.5, 1996, edition 20
1.96-26, The Picture, Still Retained in the Mind After the Sunlight Storm Has Blown Over, 12.5x19, 1996, edition 20
1.96-21, A Speculative Vision of the Picture That Can Be Any Moment Revealed by the Passing Sunlight, 11.5x18.5, 1996, edition 20
1.96-3, The Sunlight Sped Over This Place, Having Left Behind Quickly Extinguishing Flashes, 13x18, 1996, edition 20